One Night in Miami is a fictionalized retelling of the historic meeting between Malcolm X, Jim Brown, Cassius Clay, and Sam Cooke on February 25, 1964, in Miami. Initially gathering to celebrate Clay's monumental achievement as the heavyweight champion of the world, the men find themselves engaged in deep discussions about their roles and responsibilities within the civil rights movement. This film delves into the events of one night and one night only, presenting these iconic figures solely as they were during that time, with minimal glimpses into their lives before or after. While we may have our own preconceived notions of these individuals based on historical knowledge, from a cinematic and artistic standpoint, we can only perceive what is revealed on that specific night, constructing our own understanding of their characters and their lives beyond that moment. There is something immensely captivating and enthralling about this limited perspective.
Acting/Performance
The performances in One Night in Miami are absolutely phenomenal. It is evident that each actor dedicated themselves to thoroughly studying their respective characters, striving to embody the idealized versions of these historical figures that the audience would expect to see. However, what truly sets these performances apart is the humanization of these larger-than-life icons, allowing us to witness their flaws and vulnerabilities. The chemistry between the actors is impeccable; there is no upstaging or overshadowing, as each man shines in his own right. Whether the scene focuses on their character or not, they are fully present, creating a cohesive ensemble that is nothing short of extraordinary. It is impossible to single out one actor as the best, as each brings something unique and special to the film, but together they form an ensemble that is truly exceptional.
Writing/Screenplay
One Night in Miami is anchored by two key elements: the phenomenal acting and the superb writing of Kemp Powers. Powers has crafted an intelligent and timely script that captivates the audience from start to finish. Despite the film's scarcity of action and reliance on dialogue, the writing never loses its grip, expertly navigating between moments of solemnity, intensity, and delightful humor. As a viewer, you are taken on a compelling journey, fully immersed in the narrative.
Cinematography
The film's cinematography mirrors the atmosphere of a stage play. Set almost entirely in a single location, every shot is meticulously crafted with clear intention. Regina King utilizes the dreary sepia-toned hotel room as a backdrop, allowing these four monumental figures to orbit each other like grand statues. Each still from the film reveals the purposeful positioning of each man, highlighting their relationships and interactions.
Costume Design
The costumes in One Night in Miami strike the perfect balance between style and historical accuracy. Each outfit is tailored to fit the character's personality and persona. Smooth and suave, Sam Cooke rocks a wine-colored suit with a pink shirt and burgundy cravat, while Malcolm X opts for a more practical and functional classic black suit. The attention to detail in the costume design further enhances the authenticity of the characters.
Editing/Special Effects
Despite the film primarily taking place in a drab hotel room and relying heavily on dialogue, Regina King's editing ensures that the audience remains engaged throughout. She skillfully alters the rhythm of the film to keep things interesting, while seamlessly matching the flow of the actors' performances, allowing the audience to be fully immersed without being aware of the editing techniques employed.
Sound/Music
The soundtrack of One Night in Miami predominantly features music from Sam Cooke, leading up to the powerful final performance of "A Change is Gonna Come." Just as the dialogue in the film possesses a distinct rhythm, so does the music. It complements the narrative perfectly, further immersing the audience in the emotional depth of the story.
One Night in Miami seamlessly blends excellent acting, intelligent writing, and timely ideas. Although set in 1964, the film's message remains profoundly relevant today, as it examines the complex dynamics of race relations in America. The final scene concludes with a poignant quote from Malcolm X - "It is a time for martyrs now, and if I am to be one, it will be for the cause of brotherhood. That's the only thing that can save this country." This quote crystallizes the film's underlying message, which Regina King masterfully conveys throughout. Malcolm's impassioned discussions throughout the film about the work still needed for the movement are echoed in the ending, reminding us that there is still so much more to be accomplished.
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